Long enough to stand out, short enough to remember. I wanted the domain to visually mimic the sound of the site so I settled for. Once I had figured out that I wanted to make a homage to the colours red green and blue, the domain and the code came simultaneously. What came first, the domain or the code & settle on the domain? What started as a useless design became a useless website. After designing it I thought that it would be nice to add some animation to the letters and then, for the full immersive experience, I asked Rimer London to create the sound. It all started with a spontaneous design that I made for the RGB letters. Initially I didn’t have the intention to create a site. So, the next time you find yourself ensnared in the relentless pursuit of productivity, take a moment to visit the useless web and bask in the delightful pointlessness they have to offer.What were the circumstances behind creating your site? Sometimes, it’s the meaningless and bizarre that bring us the greatest joy and laughter from time to time. Useless websites, or in some cases, boring websites, may lack practical purpose, but they offer a unique digital playground where imagination, randomness, and absurdity collide. By embracing the absurd, we tap into our innate creativity and give ourselves permission to explore without constraints. In doing so, they encourage us to let go of our constant need for productivity and immerse ourselves in the joy of the nonsensical. In a world where everything seems to revolve around purpose and objectives, the useless web celebrates the beauty of the absurd. They transcend boundaries and connect people from all walks of life, united by their appreciation for the nonsensical. The absurdity of these random websites serves as a common ground for internet enthusiasts to bond over shared humor and a sense of collective weirdness. They have spawned countless memes, inspired fan art, and even influenced popular culture. Useless websites have become an integral part of internet culture, often celebrated and shared within online communities. In an age dominated by algorithms and tailored content, the unpredictable nature of random websites injects a refreshing element of surprise and spontaneity into our online experiences, especially during bouts of boredom. From virtual bubble wrap simulators to interactive cat pianos, each click presents an opportunity for unexpected amusement. When stumbling upon these digital oddities, users never quite know what they’ll encounter. One of the most captivating aspects of exploring useless websites is the joy of serendipity. They offer a momentary respite, a chance to indulge in mindless entertainment or simply chuckle at the sheer absurdity of it all. These “bored button” curiosities provide a delightful distraction, allowing visitors to briefly detach from the demands of work, social media, and news cycles. In a world obsessed with productivity, efficiency, and constant connectivity, these useless websites offer a much-needed escape from the daily pressures. From websites endlessly looping mind-numbing animations to those generating nonsensical phrases or mimicking mundane actions, each useless website stands as a testament to human imagination and the power of quirkiness. They showcase creativity in their simplicity, highlighting the idea that purposelessness can be a reward in itself. These keywords include “the useless web,” “useless web,” “useless websites,” “bored button,” “I’m bored” or “just bored,” “red button game,” “random button website,” “take me to a useless website,” “random websites,” “random website generator,” “random website,” “take me to a random website,” “the useless website,” “boring websites,” “useless website generator,” “random website button,” “the random web,” “random sites,” “random website games,” “useless games,” and “bring me to a random website.” These seemingly pointless websites often embody an art form in their own right, embracing the concept of randomness and absurdity. If you’re seeking a dose of online randomness and frivolity, you can use specific keywords to unearth the most useless websites when boredom strikes. While the internet is a goldmine of valuable resources, it can be refreshing to dive into the realm of the absurd, the nonsensical, and the downright pointless. These are digital oddities and bizarre experiments that lack any practical utility. In the vast expanse of the internet, where information, entertainment, and communication hold sway, there exists a peculiar niche that defies traditional purposes: the world of useless websites.
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The Waste: The faceup pile next to the Stock.It is used to draw cards from and put on the Waste. The Stock: The facedown pile on the bottom left.Each card is partially covered by two cards from the next row. The Pyramid: The pyramid is made up of 28 cards, in 7 rows.The game board in Pyramid solitaire is made up of four things: An ace ranks as 1, a Jack is 11, Queen is 12 and King is 13. Possible matches would be a 3 and a 10, 5 and an 8 etc. You get rid of cards by matching two cards whose ranks equal 13 together. This game was created by the Simiade company.The objective in Pyramid Solitaire is to get rid of all the cards in the Pyramid. You can send us an email at Any questions, complaints, thanks, or comments are welcome. Who invented playing cards? The history of the 52-card deck.Only experience can teach you the right balance between these two strategies. Sorting stacks by color can be sometime more important than uncovering cards which are currently facing down. Secondly, when you are playing with more than one suit try not to lock your columns too much with alternating colors. Having more cards facing up gives you better information about what are you working with and gives you greater choice in terms of your strategy. First, try to turn face up as many cards as early in the game as possible. Here are two strategy tips for beginners. But on the other hand, collecting a full suit rewards the player with 100 points. Each move (including undo moves) subtracts one point. There is only one way of scoring Spider Solitaire Online (similar to MS Spider Solitaire), regardless of whether the player is playing one-suit, two-suit, or four-suit game. In general, playing with one suit is pretty easy, playing with two suits is quite hard, and playing with four suits is very difficult. Cards cannot be dealt from the stock if any of the columns is empty. In each such deal, ten cards get distributed, one on top of each column. Moreover, when no more moves are available, the player can deal more cards from the stock. When a card facing down is uncovered, it should be flipped. However, to move a stack of cards, all cards being moved must be of the same color. A card can be placed only on a card with a number higher by one, regardless of its color, or in an empty column. To achieve that, the player can move cards between columns. Whenever a column contains a stack of cards of the same color, ordered by number with the king at the bottom and an ace at the top, the stack can be removed from the game and placed in a foundation. Instead, the player manipulates the position of the cards in the ten columns. Unlike in other solitaires, in Spider Solitaire the player does not directly place cards in the foundations. How to play Spider Solitaire?Īs in any other solitaire, the objective is to sort shuffled cards by number and color. Because of its higher difficulty, Spider Solitaire became so popular that in the early 2000's gained the status of the most popular solitaire game played on Windows PCs. The game first appeared in system Windows 3.x in 1991 but it gained in popularity thanks to its distribution with Windows XP. In the simplified versions, the cards have only one color (the easiest) or two colors (medium difficulty). Unlike other popular patience games, Spider Solitaire is played with two decks of cards (that is with 104 cards). Most likely, Spider Solitaire derives its name from the eight legs of a spider, which correspond to the eight foundations which must be filled with cards in order to solve the game. The origins of the game name are not certain. Important shortcut keys Toggle full screen: Q7: What platform does your program support? Plese check out our Products Comparison for more differences. Meanwhile, Any Video Converter Ultimate features the function as video recording. V6.3.8 Q6: What's the difference between Any Video Converter Free (V7.1.6), Any Video Converter Pro., and Any Video Converter Ultimate?Īny Video Converter Ultimate has all the features of Any Video Converter Free (V7.1.6) and Any Video Converter Pro. You can download older version from the following links. Q5: I prefer an old version, is it available? Please note this only applies to recent purchase of Any Video Converter within 30 days. However, you can buy Any Video Converter Ultimate, then contact us to request a refund of previous order of Any Video Converter Pro. Q4: Can I upgrade my paid Any Video Converter Pro. If you do not want to get free updates information, please go to Options > Advanced, uncheck the option "check for new version of program when startup". Q3: I do not want to get free updates information, how to do it? V7.1.6 will be offline after we add almost all the tools you need to the new program. Considering that v8.0.0 is totally different from the previous version, we keep V7.1.6 so that you can continue to use it. (3) If you are using V7.1.6, you can download to upgrade to V8.0.0 from here. We will continue to add up to 60 single tools and offer you the possibility to assemble these single tools to convert, download, and edit video and audio files. (2) V8.0.0 is a new program, which featured single and assembly tools including video converter, video clipper, video cropper, video merger, video downloader, and more. (1) V7.1.6 is an old version of Any Video Converter Free (first released on September 28, 2006, and last updated on November 16, 2021). What's the difference between V7.1.6 and V8.0.0? Q2: I noticed that you have two versions for Any Video Converter Free: V7.1.6 and V8.0.0. If your change the install location, please re-register again using the original license name and code. If you install the latest version to the location you installed last time, you don't have to register again. You can visit our Download Center to download and install the latest version. You will get update remind message when there is a new version available. His son Johann Adolf Faustinus (1741-1814) was the only one to follow in his father’s footsteps, and became a chamber lutenist at the Court of Dresden. Silvius Leopold Weiss died on 16 October 1750, leaving his widow Marie–Elizabeth and his seven children in financial straits. He always made brilliant use of the possibilities afforded by the lute’s particular tuning. His characteristic touch can be found in his unmeasured preludes and in his skillful handling of very elaborate sequences. His daily practice of continuo and improvisation deeply influenced his entire work. However, he only composed for his instrument. Silvius Leopold Weiss was an accomplished musician whose compositions were very solid, placing him on a par with his most distinguished contemporaries: Johann Sebastian Bach, Georg Friedrich Händel or Jan Dismas Zelenka. Weiss was the main promoter of fundamental modifications to the lute: the addition of a 13th course and the subsequent lengthening of the lowest courses by means of a second pegbox on a neck extension, similar to the theorbo. Silvius Leopold Weiss met and played music with Johann Sebastian Bach when the latter, living in Leipzig, came to visit his young son Wilhelm Friedmann, an organist in Dresden. Thus, between 17, he made several sojourns in Prague to teach his art to Prince Lobkowitz and his wife, to Johann Antonin Losy von Losimthal (Count d’Logy), Imperial Governor of Bohemia, or to Ludwig Joseph Cajetan, Baron von Hartig, Imperialo Governor of the city of Prague. He was appreciated by princes, often lutenists themselves. Silvius Leopold Weiss frequented the best musicians of his era. His playing and improvisations were so highly esteemed that he became the best paid and most demanded instrumentalist in Dresden even the considerable financial incentives offered by the Court of Vienna could not lure him away. He was a brilliant continuo player at the Court, the Church and, above all, the Opera. He subsequently settled in Dresden where, although he often travelled, he spent the rest of his life. It was there that he discovered the galant style, which would leave its mark on all his future compositions. In 1718, he obtained a well-paid position in the Dresden Court Orchestra.Ī first mission took him to Vienna for eight months, where he was immersed in the musical life of Austria, both at the Court and in town. Subsequently, he is thought to have entered the service of the Governor of Further Austria, who resided in Innsbruck. In Rome, he met Arcangelo Corelli and befriended the Scarlattis. A child prodigy, Silvius Leopold performed before the Emperor Leopold I who, although consumed with his war against Louis XIV, was a great music lover.įrom 1707 to 1714 he lived in Italy. His father Johann Jacob, a proficient lutenist, taught his three children how to play, as well as the rules of harmony and the practice of basso continuo. Silvius Leopold Weiss was born in 1687 in the village of Grottkau, near Breslau. Several pages were subsequently damaged during the bombing of Dresden in 1945. The Sächsische Landesbibliothek purchased the manuscripts in 1929, at the sale of the collection of the musicologist and bibliophile Werner Wolffheim (1877-1930). In the first five volumes, we can identify three different handwritings: that of Weiss himself, that of the manuscripts’ compiler (whose writing style seems to have changed over a long period of time), and that of another copyist, often less careful and precise. Several annotations, pencilled in by Weiss at a late stage, denote an elderly hand. He classified them according to age and tuning of the bass courses, very carefully assembled and, later, bound them. The sonatas, either autograph or meticulously copied, were compiled by a collector. These manuscripts constitute one of our most precious sources for the composer’s music. All pieces were composed by Silvius Leopold Weiss, from 1706 to the last days of his life in 1750. They are scrupulously arranged by key in five volumes, plus a volume of ensemble music of which only the part of a single lute is extant. The 34 solo sonatas therein, of various origins, are written in French tablature for the baroque lute (11-course for the earliest, but mainly 13-course). The Sächsische Landesbibliothek of Dresden has six volumes of French tablatures, referenced as D-Dl Ms. |
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